The quirkier the better when it comes to scoring 'Poor Things' - Los Angeles Times
Because the film deals with death and reanimation, the composer favored instruments that rely on human breath and others that he then manipulated to “a really unnerving effect,” he says.
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Poor Things' review: Hot sex and Stone-cold brilliance - Los Angeles Times
Willem Dafoe is scarred inside and out in 'Poor Things' - Los Angeles Times
Poor Things' review: A Stone-cold triumph - Los Angeles Times
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Emma Stone: Wry everywoman to brilliantly weird in 'Poor Things' - Los Angeles Times
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Olivia Colman stars in a darker, grittier 'Great Expectations' - Los Angeles Times
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